Cate Levin
Relief Printmaking
Theme
I would like to use the freedom we have in this class to choose our own topic to discover, in depth, the potential of a theme I have been working with over the summer which is the apparent takeover of technology in modern times. I have been exploring the changing role of human connections in this technology driven society. Although I hate to use computers and I would much prefer to talk with someone in person rather than on the phone, I do love to draw these machines. I’m interested in there extremely ordered buttons and keys and there straight lines. I am especially interested in these forms when they are examined alongside and contrasted with extremely organic shapes of living things, especially people and animals.
In all of these pieces I have been taking images of phones and computers and putting scenes of life on their screens. In some of these works I have been exploring the isolating side of the technological revolution, and in other works I examine the ways in which they help to connect us.
These modern machines allow us to speak to one another without being anywhere near each other and to be able to get live stream videos of events actually occurring sent to a screen which we can watch. As nice as this can be it also separates people from people and events. So although someone can watch documentation of an occurrence that person cannot really take part in the action at hand.
I try to make my pieces of art reflect the limits of this type of “participation.” These days technology is allowing people to make the most intimate of connections through technology. Some people have sex exclusively over the internet or phone. These types of situations but disgust and awe me. I would love to explore these themes which are so imbedded in the culture I live in as the theme of my artistic focus this semester.
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6 comments:
I really liked the marks you used to make the hand and the leg in your monster. It gives it almost a 3d quality to it. 2 thumbs up yo
I appreciate how you really look at the wood and try to see within it some image and work from that. It becomes a playful exchange. My favorite part was the hand. The way you rendered that was really interesting and would like to see a lot of creatures like that.
its really interesting that out of the whole class, you're the only one who thought to base the whole image off the patterns in the grain of the wood... very original and very cool. the appendage (...hand?) in the middle of the monster one is really stylized, I like it a lot
-rachel
i was really intrigued by your use of the cracked bottom edge of the wood block as part of the border. i'm not sure if this was intentional, but it works very well with the rest of the image. also, the leg and arm add a great sense of depth to the figure
Really made great use of woodgrain – drew image to go along with grain of wood. Nice variation of marks – change in quality, lots of lights and darks (multiple short marks, large areas of grain, clean individual lines, etc – creates different areas of value.)
You did a great job analyzing the wood and working off of that. Your usage of different tools has also been paying off, as you can clearly see them in your prints. Wood is difficult to find patterns with, at least for my case, so I give credit to you and your patients with finding the "right" part of the wood and working off of that, seems very spontaneous and planning intense.
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